{"id":900803,"date":"2019-10-19T19:33:59","date_gmt":"2019-10-19T23:33:59","guid":{"rendered":"https:\/\/glaad.org\/?post_type=publication&#038;p=900803"},"modified":"2024-04-19T19:38:39","modified_gmt":"2024-04-19T23:38:39","slug":"where-we-are-on-tv-report-2019-2020","status":"publish","type":"publication","link":"https:\/\/glaad.org\/whereweareontv19\/","title":{"rendered":"Where We Are On TV Report 2019 &#8211; 2020"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"900803\" class=\"elementor elementor-900803\" data-elementor-post-type=\"publication\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6f8807 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b6f8807\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9124327\" data-id=\"9124327\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d40445e elementor-widget elementor-widget-text-editor\" data-id=\"d40445e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"col-md-7 col-sm-7\"><div class=\"col-md-7 col-sm-7\"><div class=\"col-md-7 col-sm-7\"><p>The <em>Where We Are on TV<\/em> report analyzes the overall diversity of primetime scripted series regulars on broadcast networks and looks at the number of LGBTQ characters on cable networks and streaming services for the 2019-2020 TV season.<\/p><p>Below are some of the most remarkable points GLAAD found in its research this year, <a href=\"https:\/\/assets.glaad.org\/m\/a15aebb90ac40e7\/original\/GLAAD-2019-20-Where-We-Are-on-TV.pdf\" target=\"_blank\" rel=\"noopener\">download the full report now<\/a> to read more.<\/p><\/div><div class=\"col-md-12 col-sm-12\"><div class=\"field field-name-body field-type-text-with-summary field-label-hidden\"><div class=\"field-items\"><div class=\"field-item even\"><ul><li>Of the 879 regular characters expected to appear on broadcast scripted primetime programming this season, 90 (10.2%) were identified as gay, lesbian, bisexual, transgender, and\/or queer. This is the highest percentage GLAAD has found in the fifteen years this\u00a0report has counted all broadcast series regulars. There were an additional 30 recurring LGBTQ characters.<\/li><li>The number of regular LGBTQ characters counted on scripted primetime cable increased to 121, while recurring characters increased to 94, making for 215\u00a0characters.<\/li><li>There were 109 LGBTQ regular characters counted in original scripted series on the streaming services Amazon, Hulu, and Netflix as well as 44 recurring characters, for a\u00a0total of 153 LGBTQ characters.<\/li><li>Bisexual+ characters make up 26 percent of the LGBTQ characters tracked across all platforms (broadcast, cable, streaming originals), a slight decrease in percentage from last year, but up to 128 characters from 117 in the previous report. The numbers still skew toward women, though\u00a0there was an increase in bi+ men this year\u00a0(90 women, 36\u00a0men, and two non-binary characters).<\/li><li>This year, there are 38 regular and recurring transgender characters tracked across all three platforms, up from 26 last year. Of those, 21 are trans women, 12 are trans men, and five are non-binary characters.<\/li><li>Racial diversity of LGBTQ characters increased on broadcast and cable, but decreased on streaming originals. For the second year in a row, LGBTQ characters of color outnumber white LGBTQ characters on broadcast television, 52 percent to 48 percent.\u00a047\u00a0percent of all series regulars on broadcast scripted television are people of color, a three\u00a0percent increase from the previous report and a record-high.\u00a0<\/li><li>Only one asexual character was counted in this report, Todd Chavez on Netflix&#8217;s\u00a0<em>BoJack Horseman<\/em>. No additional asexual characters have been added, and BoJack Horseman is set to air its final episodes in this reporting period.<\/li><li>Broadcast hit another record high with 46 percent of series regular characters counted on broadcast scripted primetime television being women, a three point increase from the previous year. This still underrepresents that women are estimated to be 51 percent of the U.S. population.<\/li><li>The amount of regular primetime broadcast characters counted who have a disability has increased to 3.1 percent, which is a record-high percentage but that number still vastly underrepresents the actualities of Americans with disabilities. There are nine characters across all three platforms tracked (broadcast, cable, streaming) who are HIV-positive.<\/li><li>Netflix counts the highest number of LGBTQ characters on all streaming services, and Showtime counts the highest number on cable networks. The CW boasts the highest percentage of LGBTQ series regular characters of the five broadcast networks.\u00a0<\/li><\/ul><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9f0643b elementor-widget elementor-widget-text-editor\" data-id=\"9f0643b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"width: 200px; align: center;\"><a class=\"maxbutton-5 maxbutton maxbutton-blue-button-new-window small\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/assets.glaad.org\/m\/a15aebb90ac40e7\/original\/GLAAD-2019-20-Where-We-Are-on-TV.pdf\"><span class='mb-text'>Read Report<\/span><\/a><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-5565116 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5565116\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8c84d94\" data-id=\"8c84d94\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4a4fbd2 post-content elementor-widget elementor-widget-text-editor\" data-id=\"4a4fbd2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3 style=\"color: #00000;\">Accelerate Acceptance<\/h3><p>Your gift allows us to track the impact of our work, helping us better understand the state of acceptance and address the gaps with advocacy \u2014 like pushing for more trans representation on TV.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-f6846f9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f6846f9\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-478d5b8\" data-id=\"478d5b8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e2e4dca elementor-widget elementor-widget-text-editor\" data-id=\"e2e4dca\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<a class=\"maxbutton-5 maxbutton maxbutton-blue-button-new-window\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/give.glaad.org\/page\/51921\/donate\/1?ea.tracking.id=2402AWCC03XX&#038;utm_source=2402AWCC03XX&#038;utm_medium=web&#038;utm_campaign=fy24webgiving&#038;en_txn6=701VV000004WBEHYA4&#038;en_og_source=fy24webgiving\"><span class='mb-text'>Support Our Research<\/span><\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-3768a6c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3768a6c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e67efe8\" data-id=\"e67efe8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-22a5a1e elementor-widget elementor-widget-text-editor\" data-id=\"22a5a1e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>About the Where We Are On TV Report<\/strong><\/h3><p>GLAAD\u2019s annual <em>Where We Are On\u00a0TV<\/em>\u00a0report not only propels national conversations about LGBTQ representation, but informs GLAAD\u2019s own advocacy within the television industry.\u00a0GLAAD uses this yearly data to create a clearer picture of the stories and images being presented by television networks, and to work alongside the networks and content creators to tell fair, accurate, and inclusive LGBTQ stories on screen.<\/p><p><strong>Read about GLAAD\u2019s annual film report, the\u00a0<em>Studio Responsibility Index,<\/em>\u00a0at <a href=\"\/sri\">glaad.org\/sri.<\/a><\/strong><\/p><h3><strong>Where We Are on TV Archive:<\/strong><\/h3><ul><li><a href=\"\/whereweareontv22\">Where We Are on TV Report: 2022 \u2013 2023 Season<\/a><\/li><li><a href=\"\/whereweareontv21\">Where We Are on TV Report: 2021\u00a0\u2013 2022 Season<\/a><\/li><li><a href=\"\/whereweareontv20\">Where We Are on TV Report: 2020 \u2013 2021 Season<\/a><\/li><li><a href=\"\/whereweareontv19\">Where We Are on TV Report: 2019 \u2013 2020 Season<\/a><\/li><li><a href=\"\/whereweareontv18\">Where We Are on TV Report: 2018 \u2013 2019 Season<\/a><\/li><li><a href=\"\/whereweareontv17\">Where We Are on TV Report: 2017 \u2013 2018 Season<\/a><\/li><li><a href=\"\/whereweareontv16\">Where We Are on TV Report: 2016 \u2013 2017 Season<\/a><\/li><li><a href=\"\/whereweareontv15\">Where We Are on TV Report: 2015 \u2013 2016 Season<\/a><\/li><li><a href=\"\/whereweareontv14\">Where We Are on TV Report: 2014 \u2013 2015 Season<\/a><\/li><li><a href=\"\/whereweareontv13\">Where We Are on TV Report: 2013 \u2013 2014 Season<\/a><\/li><li><a href=\"\/whereweareontv12\">Where We Are on TV Report: 2012 \u2013 2013 Season<\/a><\/li><li><a href=\"\/whereweareontv11\">Where We Are on TV Report: 2011 \u2013 2012 Season<\/a><\/li><li><a href=\"\/tvreport10\">Where We Are on TV Report: 2010 \u2013 2011 Season<\/a><\/li><li><a href=\"\/tvreport09\">Where We Are on TV Report: 2009 \u2013 2010 Season<\/a><\/li><li><a href=\"\/tvreport08\">Where We Are on TV Report: 2008 \u2013 2009 Season<\/a><\/li><li><a href=\"\/tvreport07\">Where We Are on TV Report: 2007 \u2013 2008 Season<\/a><\/li><li><a href=\"\/tvreport06\">Where We Are on TV Report: 2006 \u2013 2007 Season<\/a><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The Where We Are on TV report analyzes the overall diversity of primetime scripted series regulars on broadcast networks and looks at the number of LGBTQ characters on cable networks and streaming services for the 2019-2020 TV season. Below are some of the most remarkable points GLAAD found in its research this year, download the<\/p>\n","protected":false},"author":465,"featured_media":900805,"menu_order":0,"template":"","categories":[138757,138758],"tags":[],"publications":[139031],"ppma_author":[139054],"class_list":{"0":"post-900803","1":"publication","2":"type-publication","3":"status-publish","4":"has-post-thumbnail","6":"category-reports","7":"category-tv-reports","8":"publications-where-we-are-on-tv"},"aioseo_notices":[],"apple_news_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 4.8.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"The Where We Are on TV report analyzes the overall diversity of primetime scripted series regulars on broadcast networks and looks at the number of LGBTQ characters on cable networks and streaming services for the 2019-2020 TV season.Below are some of the most remarkable points GLAAD found in its research this year, download the full\" \/>\n\t<meta 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