{"id":900631,"date":"2022-02-02T12:59:37","date_gmt":"2022-02-02T17:59:37","guid":{"rendered":"https:\/\/glaad.org\/?post_type=publication&#038;p=900631"},"modified":"2024-04-19T19:22:54","modified_gmt":"2024-04-19T23:22:54","slug":"where-we-are-on-tv-report-2021-2022","status":"publish","type":"publication","link":"https:\/\/glaad.org\/whereweareontv21\/","title":{"rendered":"Where We Are On TV Report 2021 &#8211; 2022"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"900631\" class=\"elementor elementor-900631\" data-elementor-post-type=\"publication\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-b6f8807 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"b6f8807\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-9124327\" data-id=\"9124327\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-d40445e elementor-widget elementor-widget-text-editor\" data-id=\"d40445e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div class=\"col-md-7 col-sm-7\"><p>The Where We Are on TV report analyzes the overall diversity of primetime scripted series regulars on broadcast networks and looks at the number of LGBTQ characters on cable networks and streaming services for the 2021-2022 TV season.<\/p><p>Below are some of the most remarkable points GLAAD found in its research for the 2021-2022 year.\u00a0<a href=\"https:\/\/assets.glaad.org\/m\/49c8b636b1ee99eb\/original\/GLAAD-2021-22-Where-We-Are-on-TV.pdf\" target=\"_blank\" rel=\"noopener\">Download the full report now<\/a> to read more.<\/p><\/div><div class=\"col-md-12 col-sm-12\"><div class=\"field field-name-body field-type-text-with-summary field-label-hidden\"><div class=\"field-items\"><div class=\"field-item even\"><ul><li><p>This year\u2019s study found that of the 775 series regular characters scheduled to appear on scripted broadcast primetime programming for the 2021-2022 season, 92 characters (11.9 percent) are LGBTQ. This is an increase of 2.8 percentage points from the previous year and marks a new record high percentage of LGBTQ series regulars on broadcast. There are an additional 49 LGBTQ recurring characters on the platform for a total of 141 LGBTQ characters on broadcast.<\/p><\/li><li><p>On primetime scripted cable series, GLAAD counted 87 series regular LGBTQ characters and 51 LGBTQ recurring characters, totaling 138 LGBTQ characters on primetime scripted cable originals this season. This is an increase of 20 characters from the previous year.<\/p><\/li><li><p>GLAAD has added five new streaming services to its count this year \u2013 Apple TV+, Disney+, HBO Max, Paramount+, and Peacock \u2013 in addition to its ongoing counts of scripted originals on Amazon, Hulu and Netflix. On original scripted programming on those eight platforms, GLAAD counted 245 LGBTQ series regular characters and 113 LGBTQ recurring characters, bringing the total to 358 LGBTQ regular and recurring characters.<\/p><\/li><li><p>Of the 637 LGBTQ characters counted in this report, there are two asexual characters, one on HBO Max\u2019s<em>\u00a0genera+ion<\/em>, which has since been cancelled, and one on an upcoming streaming series.<\/p><\/li><li><p>Bisexual+ characters make up 29 percent of all the LGBTQ characters on broadcast, cable and streaming. This is an increase of one percent from last year\u2019s study. This number still heavily favors women, with 124 bi+ women, 50 bi+ men, and nine bi+ non-binary characters.<\/p><\/li><li><p>This year, there are 42 transgender regular and recurring characters across all of broadcast, cable, and streaming. They are made up of 20 trans women, 14 trans men, and eight trans characters who are non-binary. 41 out of the 42 are played or voiced by trans actors. There are a further 17 characters who are non-binary and not transgender.<\/p><\/li><li><p>Of the 775 series regulars on primetime scripted broadcast series, 47 percent (360 characters) are women, an increase of one-percentage point from last year and a new record high.<\/p><\/li><li><p>Of all primetime series regulars on broadcast, 50 percent (390 of 775) are characters of color, a four- percentage point increase from the previous year and a new record high for POC representation on broadcast. Racial diversity of LGBTQ characters on broadcast and streaming also increased, while cable saw a decrease.<\/p><\/li><li><p>Series regular characters with disabilities counted a decrease, down to 2.8 percent (22 of 775) from 3.5 percent last year. This number falls far below the actual number of those with disabilities in the United States.<\/p><\/li><li><p>The number of characters living with HIV across all platforms has decreased from three to two.<\/p><\/li><\/ul><\/div><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9f0643b elementor-widget elementor-widget-text-editor\" data-id=\"9f0643b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<div style=\"width: 200px; align: center;\"><a class=\"maxbutton-5 maxbutton maxbutton-blue-button-new-window small\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/assets.glaad.org\/m\/49c8b636b1ee99eb\/original\/GLAAD-2021-22-Where-We-Are-on-TV.pdf\"><span class='mb-text'>Read Report<\/span><\/a><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-5565116 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"5565116\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8c84d94\" data-id=\"8c84d94\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-4a4fbd2 post-content elementor-widget elementor-widget-text-editor\" data-id=\"4a4fbd2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3 style=\"color: #00000;\">Accelerate Acceptance<\/h3><p>Your gift allows us to track the impact of our work, helping us better understand the state of acceptance and address the gaps with advocacy \u2014 like pushing for more trans representation on TV.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-f6846f9 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f6846f9\" data-element_type=\"section\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-478d5b8\" data-id=\"478d5b8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-e2e4dca elementor-widget elementor-widget-text-editor\" data-id=\"e2e4dca\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<a class=\"maxbutton-5 maxbutton maxbutton-blue-button-new-window\" target=\"_blank\" rel=\"noopener\" href=\"https:\/\/give.glaad.org\/page\/51921\/donate\/1?ea.tracking.id=2402AWCC03XX&#038;utm_source=2402AWCC03XX&#038;utm_medium=web&#038;utm_campaign=fy24webgiving&#038;en_txn6=701VV000004WBEHYA4&#038;en_og_source=fy24webgiving\"><span class='mb-text'>Support Our Research<\/span><\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"has-el-gap el-gap-default elementor-section elementor-top-section elementor-element elementor-element-3768a6c elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"3768a6c\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-e67efe8\" data-id=\"e67efe8\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-22a5a1e elementor-widget elementor-widget-text-editor\" data-id=\"22a5a1e\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t\t<h3><strong>About the Where We Are On TV Report<\/strong><\/h3><p>GLAAD\u2019s annual <em>Where We Are On\u00a0TV<\/em>\u00a0report not only propels national conversations about LGBTQ representation, but informs GLAAD\u2019s own advocacy within the television industry.\u00a0GLAAD uses this yearly data to create a clearer picture of the stories and images being presented by television networks, and to work alongside the networks and content creators to tell fair, accurate, and inclusive LGBTQ stories on screen.<\/p><p><strong>Read about GLAAD\u2019s annual film report, the\u00a0<em>Studio Responsibility Index,<\/em>\u00a0at <a href=\"\/sri\">glaad.org\/sri.<\/a><\/strong><\/p><h3><strong>Where We Are on TV Archive:<\/strong><\/h3><ul><li><a href=\"\/whereweareontv22\">Where We Are on TV Report: 2022 \u2013 2023 Season<\/a><\/li><li><a href=\"\/whereweareontv21\">Where We Are on TV Report: 2021\u00a0\u2013 2022 Season<\/a><\/li><li><a href=\"\/whereweareontv20\">Where We Are on TV Report: 2020 \u2013 2021 Season<\/a><\/li><li><a href=\"\/whereweareontv19\">Where We Are on TV Report: 2019 \u2013 2020 Season<\/a><\/li><li><a href=\"\/whereweareontv18\">Where We Are on TV Report: 2018 \u2013 2019 Season<\/a><\/li><li><a href=\"\/whereweareontv17\">Where We Are on TV Report: 2017 \u2013 2018 Season<\/a><\/li><li><a href=\"\/whereweareontv16\">Where We Are on TV Report: 2016 \u2013 2017 Season<\/a><\/li><li><a href=\"\/whereweareontv15\">Where We Are on TV Report: 2015 \u2013 2016 Season<\/a><\/li><li><a href=\"\/whereweareontv14\">Where We Are on TV Report: 2014 \u2013 2015 Season<\/a><\/li><li><a href=\"\/whereweareontv13\">Where We Are on TV Report: 2013 \u2013 2014 Season<\/a><\/li><li><a href=\"\/whereweareontv12\">Where We Are on TV Report: 2012 \u2013 2013 Season<\/a><\/li><li><a href=\"\/whereweareontv11\">Where We Are on TV Report: 2011 \u2013 2012 Season<\/a><\/li><li><a href=\"\/tvreport10\">Where We Are on TV Report: 2010 \u2013 2011 Season<\/a><\/li><li><a href=\"\/tvreport09\">Where We Are on TV Report: 2009 \u2013 2010 Season<\/a><\/li><li><a href=\"\/tvreport08\">Where We Are on TV Report: 2008 \u2013 2009 Season<\/a><\/li><li><a href=\"\/tvreport07\">Where We Are on TV Report: 2007 \u2013 2008 Season<\/a><\/li><li><a href=\"\/tvreport06\">Where We Are on TV Report: 2006 \u2013 2007 Season<\/a><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The Where We Are on TV report analyzes the overall diversity of primetime scripted series regulars on broadcast networks and looks at the number of LGBTQ characters on cable networks and streaming services for the 2021-2022 TV season. Below are some of the most remarkable points GLAAD found in its research for the 2021-2022 year.\u00a0Download<\/p>\n","protected":false},"author":465,"featured_media":900634,"menu_order":0,"template":"","categories":[138757,138758],"tags":[],"publications":[139031],"ppma_author":[139054],"class_list":{"0":"post-900631","1":"publication","2":"type-publication","3":"status-publish","4":"has-post-thumbnail","6":"category-reports","7":"category-tv-reports","8":"publications-where-we-are-on-tv"},"aioseo_notices":[],"apple_news_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO Pro 4.8.1.1 - aioseo.com -->\n\t<meta name=\"description\" content=\"The Where We Are on TV report analyzes the overall diversity of primetime scripted series regulars on broadcast networks and looks at the number of LGBTQ characters on cable networks and streaming services for the 2021-2022 TV season.Below are some of the most remarkable points GLAAD found in its research for the 2021-2022 year. 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